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Commissioned by Joseph de Arellano, parish priest of Carabuco (current Bolivia), the painter Jose Lopez de los Rios executed a series of four paintings on the theme of the Last Things in 1683. At the bottom of these paintings he included a narrative cycle of thirty scenes depicting the coming of an apostle to the Andes, and the story of the Cross left by said apostle at Carabuco. These episodes were introduced into half-divided circles, reserving the top for the iconography and the bottom for the written word. This work aims to rethink the relationship between images and writing and demonstrate, in this particular case, that the inclusion of writing worked as an agent of legitimization of iconographic representation in order to Occidentalize the oral Andean tradition.

La escritura y los procesos de occidentalización del mito y legitimación de la imagen en Las Postrimerías de Carabuco