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Focussing on clothing viewed as a body practice, this paper attempts to provide an ethnographic overview through the examination of the creation of the national dress of Equatorial Guinea. With a discussion of the importance of the personal motivation of its promoters, the reasons for its alleged failure and the recent attempts in current fashion shows in Malabo to (re)produce identity discourses, this paper also seeks to demonstrate the capacity of dress as a tool for social control, resistance and identity (re)creation. Situando el vestido como práctica corporal en el centro de la reflexión, el artículo efectúa un recorrido etnográfico por el proceso de creación de un vestido nacional de Guinea Ecuatorial. Se presentará la importancia de la ecuación personal de sus impulsores, los motivos de su fracaso y las recientes tentativas de (re)producción de discursos identitarios en los actuales fashion shows de Malabo. De este modo, se pretende demostrar el potencial del vestido como herramienta de control social, resistencia y (re)creación identitaria

Vestido, identidad y folklore. La invención de un <i>vestido nacional</i> de Guinea Ecuatorial