English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

The continuous transformations suffered by flamenco have always been related to its interactions with many other traditions. What once was a local experience, although hybrid from its origins, was transformed into a chameleonic musical phenomenon able to produce new development while conserving a characteristic personality. The transnational flamenco progress started around the end of 19 th century. It is considered that its trips to America, especially those to the United States, were the most relevant to the phenomenon. However, flamenco artists developed their careers detached from its socio-cultural environment —and even from American cultures— in the new settings. Their isolation was twofold and favored specific ways to perform and experience flamenco. This new expansion gave transnational flamenco a distinctive and contemporary Kitsch touch.

El imaginario flamenco americano: Aura y <i>Kitsch</i> en la escena transnacional