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The article compares the two main characters of Shakespeare and Cervantes with Cartesian cogito , to find out if they express aspects of modernity that cartesian cogito hides. In particular are analyzed from the point of view of the absence, whose expression is compared with the loss of the metaphysics of being and the pre-modern notion of nature. It explores the possibility that the aesthetic is rooted in modern philosophy

Don Quijote, Hamlet y el <i>cogito</i>. Sobre las raíces de la estética en la filosofía moderna