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The city of Santiago de Compostela was, for many centuries, an by virtue of his condition of archdiocese and place of peregrination, a center of reference for the religious arts, and very especial way, the silverwork, which gives name, precisely, to one of de most known squares of the city. The object of this article is to realize a shallow approximation to the vital incident of a silversmith, Rodrigo de Pardinas, across the testaments that he granted along his life, as well as of the documents of last wills of two os his wives.

Un prateiro compostelán e o seu entorno familiar. Tradición testamentaria de Rodrigo de Pardiñas