English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The entrance of women in the narrative, which takes place at the end of the Spanish Civil War, limits itself to the pink subgenus, although very soon the first novels of an increasing number of female writers will appear dealing with other subjects. From the early Fifties onwards they will gradually create a realistic novel that although in a veiled manner, will show the reality of the subdued situation of women in the Spain of General Franco.  Carmen Kurtz will start her narrative work in this line and her long career will last until somewhere in the Seventies. Her complaints of the legal, educational, social and economical situation at women, during her public performances as well as through her novels will not pass unaware by censorship; two of her novels were not allowed to be published, many of her paragraphs were to be suppresed and mutilated, and her work was to be very often obstructed. The files of the censorhip of her work that are in the Archivo General de la Administración as well as other related documents show these effects.  La incorporación de la mujer a la narrativa, que se produce al término de la Guerra Civil, se circunscribe al subgénero rosa, aunque pronto aparecerán las primeras novelas de un nutrido número de autoras que plantearán otras propuestas. Desde los inicios de la década de los cincuenta irán paulatinamente creando una novela realista que, aunque de forma encubierta, mostrará la realidad sometida de las mujeres en la España franquista.  Carmen Kurtz emprenderá su labor narrativa en esta línea y su larga carrera se prolongará hasta bien entrada la década de los setenta. Sus denuncias de la situación legal, educativa, social y económica de las mujeres, tanto en sus manifestaciones públicas como en sus novelas, no pasarán desapercibidas al órgano censor, que le denegará la publicación de dos de ellas, suprimirá y mutilará muchos de sus párrafos y entorpecerá su labor en varias ocasiones. Los expedientes de censura de sus obras, que están en el Archivo General de la Administración y otros documentos que junto a ellos se hallan, revelan estos efectos

La narrativa de Carmen Kurtz: compromiso y denuncia de la condición social de la mujer española de posguerra