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In the Music Archive of the Cathedrals of Zaragoza (E-Zac), there is an important corpus of sonatas by D. Scarlatti; this corpus is formed by six eighteenth-century manuscripts that can be tracked to the Royal Chapel. They belonged to Jose de Nebra, the most relevant Spanish composer in the court in the times of the Italian composer. Two of these manuscripts, at the same time, were part of a third large collection of sonatas, the elaboration of which started prior to the copy of the volumes that today are conserved in Venice and Parma, and was undertaken by the main scribe. Due to the relevance of the conclusions reached in my doctoral thesis, it can be affirmed that the documentary collection in Saragossa is an international reference point to continue advancing in the research of keyboard music by D. Scarlatti.

anuario musical

La existencia en España de una tercera gran colección de sonatas de D. Scarlatti copiada por el escriba de los Manuscritos de Venecia (Libros I-XIII) y Parma (Libros I-XV)