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This article approaches Azorin’s piece “El secreto de Cervantes” (“Cervantes’ Secret”, 1939) as a specimen of what Jose Maria Martinez Cachero called Azorin’s “cuento-critica” (story/critique). “El secreto de Cervantes” is here ascribed to the so-called “esoteric” school of Cervantes studies that flourished in the second half of the nineteenth century. This paper also underlines Azorin’s appreciation for critics like Benjumea, Villegas, Polinous, Antequera and Castro, and signals Azorin’s previous interest in the interpretation of Don Quijote in his tale titled “El secreto de Miguel” (“Miguel’s Secret”, 1935). Finally, this article revisits “El secreto de Cervantes” and explains its innovatory exegesis of Don Quijote, i.e., that owing to its heteroglossic nature, Don Quijote prompts different interpretations in different readers.

Una renovadora exégesis del <em>Quijote</em>: “El secreto de Cervantes” (1939) de <em>Azorín</em>