English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

I analyze the presence of power and the liberating effect of music in the main characters. My intention is just to establish a relationship between these very different novels on the treatments of the theme of imprisonment and liberation. And I do it tracing a path that draws a parallel story in both novels following four important aspects: the space where the characters live –the house and the bedroom–, the power –by the husband and by the father–, the seclusion of Leonora and Samsa and the effect of music. In Cervantes’ novel music is the key to reach freedom. In Kafka’s novel the character is doomed. There is no hope for us and music means the nostalgia to reach the Land of Canaan

La experiencia trascendental de la música en Cervantes y Kafka. (El celoso extremeño y La metamorfosis)