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Salvador de Madariaga’s novel Sanco Panco was published in 1964 by the Mexican publishing house Latino Americana. Conceived as a critical parody, not only of Franco’s regime but also of the world’s political leaders, it was rejected by the Spanish press and well received in Latin America. With a double play of identities, Cervantines on the one hand and contemporary politics on the other, flows one of the works of the scholar, never again reprinted. Madariaga presents a novel that is clearly Cervantine in its writing, its style, as its own title asserts: La más verídica que verdadera historia de Sanco Panco. Escribiola Miguel de Corzantes y la da hoy a luz Salvador de Madariaga, giving at the very beginning a wink to the technique of the manuscript discovered that Cervantes parodies. But he also presents a completely contemporary will, dealing with the most relevant matters and personages of the world’s politics without directly naming them. \udTherefore, in this work, I will try to offer the play of the author to recreate the Cervantine writing, specially the Quijote, playing with the identities, quixotic and contemporary, to be able to analyse the intentions of the author and the narrative value of this technical expertise. Moreover, I intend to place Madariaga in the position that he deserves in the history of the Spanish literature, not only as a Cervantes knowledgeable scholar, but as a writer capable of making the most of and executing consisting projects of literary creation

Escritura cervantina en Sanco Panco: parodia y recreación del Quijote según Salvador de Madariaga