English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In the eighteenth century, numerous architects, including Spaniards, travelled to Rome to study the ancient monuments, at a time when a view of the Greco-Roman past prevailed in European art as an aesthetic solution and theoretical answer to outdated Baroque art. These works constitute an important graphic document of the condition of the classic monuments at that time, and they reflect the archaeological interest of the Enlightenment. As a perfectly developed science, architecture approached the analysis of Antiquity with a precision that did not exist in antiquarian mentality, as demonstrated in the two examples we offer here: the elaboration of the archaeological plans of the Theatre of Marcellus and the Sanctuary of Hercules Victor.

Planos de arquitectos españoles publicados en Roma (s. XIX): el Teatro de Marcelo y el Santuario de Hércules Vencedor