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The authors study the stylistic and iconographic aspects of a collection of paintings on wood dating from the 15th and 16th centuries, originally in the Royal Monastery of Santa Clara at Úbeda. This collection was sold in the 1920s with the participation of the antique dealer Celestino Dupont. The research is complemented by an analysis of the critical appraisals given to these works and their history since their introduction into the art market

Los primitivos de Santa Clara de Úbeda. Aproximación formal e iconográfica, fortuna crítica y vicisitudes de un patrimonio disperso