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Prints published in the sixteenth and seventeenth centuries in Flanders were reworked throughout Europe many times over. This paper is a study of the complex network of republishing and new productions of one such set of prints: the Sibyllarum icones elegantissimi, engraved by Crispijn de Passe in 1601. As a result of this research, the authors propose new engraved sources for three well-known derivatives of this series: the paintings of Philippe de Champaigne in the Luxembourg Palace in Paris; the woodcuts published in Spain by Baltasar Porreno; and the paintings in the Palacio de Autonomia in Mexico City by Pedro Sandoval. All three can be traced to Jacques Granthomme, working in Paris c.1609.

Sibilas en Europa y América: repercusiones del Sibyllarum Icones de Crispijn de Passe en los siglos XVII y XVIII