English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This study focuses on the witnesses of the Teresian beatification and canonization processes remembered by the artists with the intention of serving as a reference to the spectator in order to put themselves in the position of “de visu” witnesses, as new testifiers of the scenes depicting key moments in the life of the barefoot reformer and of prodigious events caused by divine intervention. It is not a common type of figuration, especially that of the “reference witnesses” who confirm what is narrated from generation to generation, although the latter are highlighted in a special way in the Cornaro Chapel in Santa Maria della Vittoria in Rome, linked to a print by Collaert, which Bernini used to fix the location of the members of this important Venetian family contemplating the Ecstasy of Saint Teresa.

Iconografía de los testigos de los procesos teresianos. A propósito de Adrian Collaert y la escenografía de la capilla Cornaro