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The author attempts to cover the documentary lacuna, which until now constituted the biography of the Italian scenographer Antonio Maria Antonozi, a forgotten figure in Spanish historiography, in spite of having played an important role directing comedies in the Real Sitio del Buen Retiro (Madrid) during the final years of the reign of Felipe IV. Likewise, an attempt is made to clarify certain basic questions heretofore incorrectly proposed, but explained in this article, concerning the participation of Court painters in the elaboration of theatrical scenography.

archivo español de arte/archivo español de arte

Antonio María Antonozi, ingeniero de las comedias del Buen Retiro (1657-1662). Nuevos datos para la biografía de un inventor de ‘maravillosas apariencias’