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The article explores the convergences between the theatre of cruelty of Antonin Artaud and the parallel search of Roberto Arlt’s specific case of his work The desert island. It indicates the traceable influences in this piece and highlights its inspiration as it originates from Plato’s Allegory of the Cave. Furthermore, a synthesis of these two theatrical projects is performed where both simalarities and differences of the two versions of cruelty are presented.

La isla desierta de Roberto Arlt: una contertulia con el teatro de la crueldad de Antonin Artaud en la caverna de Platón