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The article is a study of the use of admiratio to display the new American reality at the end of the fourteenth and into the fifteenth century. After exploring the semantic wealth of the term and defining it, we will present it as the first stage of the cognitive process of the human being, whose object will be Nature, understood as a whole entity in which men are included. The depiction of the admirable thing as a part of the cognitive process will also have its place in this study. But it is under the renovation that proposed the Renaissance, when admiratio turned into a poetic function related to that of movere, solving America as inventio the problem of verisimilitude inherited from the Middle Ages. Then, this concept will be used by our authors, not only to reflect a stage of knowledge, but with a clearly rhetorical function: to create a specific state of mind in the reader in order to obtain something from him.

El Admirarse como forma de enfrentar la nueva realidad americana