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The polka and sousedska become such familiar concepts of Czech culture that they have been generally accepted as folk dances and national dances—that is, Czech dances. When searching for the form of these dances in classic Czech collections of folk songs and dances, one is confronted by a very varied and contradictory picture, one that does not allow unambiguous characterization. This research is mostly interested in what helped these dances gain the status of Czech folk dances and national dances, and how they worked as symbols of Czech citizenship. *** Polka in sousedska sta postala tako znana koncepta v ceski kulturi, da sta splosno sprejeta kot ljudska in nacionalna, tj. ceska plesa. Pri iskanju in pregledu oblik teh plesov v klasicnih ceskih zbirkah ljudskih pesmi in plesov opazimo zelo raznovrstno in protislovno podobo, ki onemogoca nedvoumno opredelitev. Raziskava je bila usmerjena v iskanje odgovora na vprasanji, kaj je bilo odlocilno, da sta plesa pridobila status ceskega ljudskega kot tudi nacionalnega plesa in kako delujeta kot simbol ceske nacionalnosti.

traditiones - inštitut za slovensko narodopisje, ljubljana/traditiones

THE POLKA VERSUS THE WALTZ. CZECH NATIONAL DANCES IN THE POLITICAL CONTEXT OF THE NINETEENTH CENTURY&lt;br&gt;POLKA NASPROTI VALČKU. ČEŠKI NACIONALNI PLESI V POLITIČNEM KONTEKSTU 19. STOLETJA&lt;/br&gt;