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The paper deals with the question of the classification of the folk song today. With regard to its lost original context, has the folk song really become no more than an esthetic artifact, or have new circumstances reconstructed the context and thus added a new functional dimension to the folk song? In addition, the author discusses the new communication channels used to reintegrate the folk song in its traditional environment based on the example of the song “Riba Faronika nosi svet” (Faronika the Fish Bears the World). *** Razprava se loteva vprasanja o tem, v katero semanticno polje uvrscamo ljudsko pesem danes. Ali je zaradi izgube izvirnega konteksta res samo se estetsko dejstvo ali pa zaradi novih okoliscin, ki rekonstruirajo sam kontekst, ponovno lahko opazujemo tudi njeno funkcijsko razsežnost? Avtorica se v razpravi sprasuje tudi o novih komunikacijskih kanalih, po katerih ljudska pesem (na primeru pesmi Riba Faronika nosi svet) ponovno vstopa v tradicionalno okolje.

FOLK SONG TODAY: BETWEEN FUNCTION AND AESTHETICS<br>LJUDSKA PESEM DANES: MED FUNKCIJO IN ESTETIKO</br>