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The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on the French at this time – through publication and performance, the music of Michele Mascitti and Antonio Guido is discussed in order to show the two authors’ contribution to the development of the sonata and the solo concerto.

de musica disserenda

Ancora sui goûts réunis: Michele Mascitti, Giovanni Antonio Guido e l’eredità ... / Še o »združenih okusih«: Michele Mascitti, Giovanni Antonio Guido in dediščina Corellija in Vivaldija na Francoskem v prvi polovici 18. stoletja