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Izvlecek: Prisotnost irske književnosti v evropski umetnosti devetnajstega stoletja doslej se ni bila ustrezno raziskana. Njeno prisotnost vzorcno predstavlja Schumannova uglasbitev pesmi Lalla Rookh (Das Paradies und die Peri, 1843) Thomasa Moora, ki jo je potrebno razumeti loceno od zgodnej­ sih poskusov skladateljev, kot je bil Beethoven, ki je tradicionalne irske melodije preprosto priredil za glas in klavir. Kljucne besede: Irska, Thomas Moore, Charles Villiers Stanford, Robert Schumann, Lalla Rookh. Abstract: The presence of Irish literature in Euro­ pean art music of the nineteenth century has never been adequately explored. This presence, exempli­ fied by Robert Schumann’s setting of Thomas Moore’s poem, Lalla Rookh (Das Paradies und die Peri, 1843), should be distinguished from the earlier practice of such composers as Beethoven, who simply arranged traditional Irish melodies for voice and piano.

de musica disserenda

The afterlife of a tradition: European music and Irish literature in the nineteenth century / Ohranjanje tradicije: evropska glasba in irska literatura v devetnajstem stoletju