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Autonomous and functional in music belong to the time limited ideas or categories that are difficult to be unequivocally defined. The present discourse confronts possible interpretations and interpretative frameworks within the field of individual creative process in music and its life in the 19th-century society. It further seeks to comprehend the limit between real and not only ideologically grounded value and aesthetically still relevant/acceptable and artistically irrelevant.

Umetniški značaj proti smotru. Med polariziranjem in harmoniziranjem