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Izvlecek: Med vsemi umetnostmi je bila glasba vselej videti najbolj avtonomna, prosta vezi in meja reprezentacije. Od tod je znotraj te avtonomije ali nefunkcionalnosti izhajala njena funkcionalnost: njena zveza s svetim, dvig nad ekonomijo preživetja, njena ritualna vrednost. Ta tradicionalni pogled je v devetnajstem stoletju z avtonomijo umetnosti znotraj avtonomizacije razlicnih družbenih sfer zadela kriza, ki je terjala redefinicijo glasbene avtonomije in funkcije, to redefiniranje pa je skozi radikalizacije naposled privedlo do modernizma. Kljucne besede: funkcija glasbe, ritual, aura, moderna. Abstract: Of all the arts, music has always seemed to be the most autonomous, free from the bonds and limits of representation. Hence its functionality within this very autonomy or non-functionality: its link with the sacred, elevation over the economics of survival, its ritual value. This traditional view was brought to a crisis in the nineteenth century with the autonomy of art within the autonomization of different social spheres. This demanded a redefinition of autonomy and function which, through a radicalization, eventually led to modernism.

Function beyond function? Reflections on the functionality of the autonomous / Funkcija onstran funkcije? Razmislek o uporabnosti avtonomnega