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AIM: The aim of this study is to present the state of the theatre and architecture as a part of Space in the 20th Century Theatre.MATERIAL AND METHODS: Three aspects of the architecture were described: theatre in the typology of architectural objects, theatre as a programme in architecture, and theatre as an art form.RESULTS: Theatre has never been, nor could it ever become a subject independent of architecture. Correspondingly, the stage space is not, and should not be a separate issue, the subject of "consultants", but a crucial and equally worthy part of the complex, rich and consistent structure of the theatre house - as a whole. The theatre house in its entirety becomes a public facility and begins to develop its central function in the city. From this point of view, it is not only that the theatre has not lost its traditionally dominant urban position, on the contrary, that position is constantly evolving.CONCLUSIONS: Theatre, based on interpersonal communications in real space and real time, provoking our experiences on the borderline between reality and illusion, and constantly questioning those boundaries, can possibly discover the “otherness of the real world”, that is to “change the nature of the individual, in order to change the essence of the world”

Space in the 20th Century Theatre: 1. Theatre and Architecture