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s if doused with a bucket of cold water,1 the realization of man’s brokenness comes to him not in the gentle humming of a summer breeze but, more often than not, in the turbulent jolt of a stormy winter that knocks him off his feet. These experiences pave for him a road for reflection and offer him, whether he likes it or not, the opportunity to see his seemingly united life for what it really is: incomplete, unnarrated, unreflected. The realization that one’s life is a painful tension between the finite and infinite, between necessity and freedom, comprises the existential presence of nagging disproportion and irrecusable faultedness. The tension is there and the fault is real and non-fortuitous.2 The easiness of the preceding statements losses their playful tone when the reflection will have to deal with the painful reality of death. Indeed, death, even the ones that some people are prepared for, comes with painful blows in the hearts of loved ones left behind. One, then, can only imagine the great pangs of pain that pierce the hearts of the bereaved upon hearing a young life that has been ended abruptly by series of uncontrollable occurrences—alas! Tragedy! This particular human experience pushes man’s brokenness to fore, illuminating the gap in human constitution, casting on humanity’s fault a

From Brokenness of Death to Refigured Forgiveness: Reflections on Ricoeur’s Fault, Narrativity, and Capable Human Being