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In the between-S design, 20 Ss had a visual ready signal presented on each trial; for another 20 Ss, the ready signal was always absent. The within-S design consisted of 40 Ss that experienced both ready-signal conditions in semirandom order. Two intensities of a 1,000-Hz tone were used as the response signals Ready-signal manipulation had pronounced effects under the within-S but not the between-S design irrespective of response-signal intensity.

Ready-signal effects as a function of experimental design in simple reaction time