English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This series of experiments dealt with discrimination between two temporal patterns differing only by the insertion of an additional silent gap. In Experiment 1, patterns varied in metric and figural structure. Metric structure is described as the sense of temporal regularity that may occur between subjectively accented tones. Figural structure is described as the grouping of temporally adjacent tones separated by silences. Standard patterns were either strongly or weakly metric; comparison patterns differed from the standards by the insertion of a silence that disrupted either the metric structure alone or both the metric and the figural structures. Experiment 1 provided support for the roles of both metric and figural structures and provided support for the clock-induction model of Povel and Essens (1985) as an account of metric processing. In Experiments 2-4, discrimination of patterns with differing metric structures but identical figural structures was examined more closely. Rate of presentation of the patterns was varied. Multiple regression indicated that, independent of rate variations, discrimination improved as the absolute (not relative) duration of the silent gap increased. We argue that an additional timing mechanism, independent of pattern structure, is operative in temporal pattern discrimination. All the results were replicated across levels of music training of the listeners.

Detection of metric structure in auditory figural patterns