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espanolEste articulo analiza el proceso de apropiacion de la poesia de Cancionero por el ambito de la Literatura Popular Impresa a traves de su tematica mas idiosincratica, la amorosa. Para ello, atendemos a la difusion en pliegos poeticos tanto de los grandes nombres de Cancionero como de los poetas categorizados por la critica reciente como «autores galantes intermedios». Presentamos un estudio de caso de esta ultima categoria autorial: Alonso de Salaya. EnglishThis paper analyzes the process of assimilation of the «Cancionero» poetry by the field of the Printed Popular Literature by focusing on its most idiosyncratic subject matter: love poems. To achieve this purpose, we deal with the diffusion in Spanish poetic chapbooks of the great names of «Cancionero», as well as of the poets that have been characterized as «autores galantes intermedios» by the recent critics. We provide a case study of the aforementioned authorial category: Alonso de Salaya.

La popularización del Cancionero: de los grandes poetas cancioneriles a los autores galantes intermedios (con un estudio de caso: Alonso de Salaya)