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Resumen:  La adopcion de la cuarteta aconsontada y de otras formas tradicionales de tipo cancioneril en el Cancionero de Unamuno tiene una funcion sobre todo condensadora y ritmica, presentando varios aspectos: desde formas imitativas e hibridas que incluyen temas medievales, pasando por aforismos y sentencias, hasta experimentos de tipo vanguardistico que multiplican planos semanticos. Palabras clave:  Unamuno. Cancionero. Estrofa tradicional. Poesia medieval. Poesia del siglo XX. Abstract:  The adoption of the rhymed quartet and of other traditional medieval Spanish poetry patterns in Unamuno’s Cancionero has mainly a condensing and rhythmic function, offering different aspects, from hybrid counterfeits which include medieval themes, going through aphorisms and sayings up to avant-garde experiments which multiply semantic layers. Keywords:  Cancionero. Traditional strophe. Medieval poetry. 20th century poetry.

«‘A fijar con ritmo y rima / el fluyente pensamiento’: huellas del Cancionero medieval en el Cancionero de Unamuno»