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The Desert Survival Series (2010, 2014) by Amy Sara Carroll, a set of poems that forms part of an activist project called the Transborder Immigrant Tool, departs from the methods of both radical political poetry and some avant-gardist forms of aesthetic resistance that rely on a poetics of randomness to challenge the prevailing order. Instead, the DSS employs design—the design of the poetic object revealing other designs—as a political resource. It addresses a group endangered and abjected by the United States government: migrants crossing the Sonora desert. In doing so, it recalls traditional forms such as the pastoral and the georgic in order to reimagine earlier attitudes toward poetic making, hierarchical politics, and the environment. Orienting in their address to migrants, disorienting and counterintuitive with reference to their contemporary poetic context, the poems are of interest for debates around ecopoetics, because they make an intervention in the domains of environmental poetry as well as political activism of the border.

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&lt;b&gt;The Ecopoetics of Survival: The &lt;i&gt;Transborder Immigrant Tool&lt;/i&gt; and &lt;i&gt;The Desert Survival Series&lt;/i&gt;&lt;/b&gt; // La ecopoética de la supervivencia: &lt;i&gt;Transborder Immigrant Tool&lt;/i&gt; y &lt;i&gt;The Desert Survival Series&lt;/i&gt;