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Resumen Las concepciones y practicas culturales de la naturaleza que se observan en la representacion del entorno geografico y social del Caribe en la obra poetica de Kamau Brathwaite (Barbados, 1930-) configuran un modelo local de naturaleza que responde a la pretension de imponer un modelo unico de modernidad promovido por la globalizacion contemporanea. En sus poemas, el lugar se configura mediante la oralidad de herencia africana que caracteriza las lenguas caribenas, que depende de una fuerte conciencia espacial y le permite plasmar la presencia de las huellas culturales africanas en el territorio. En este articulo, proponemos ahondar en la importancia que la perspectiva ecologica cobra en su obra a la hora de construir la diferencia, destacando la manera en la que esa perspectiva medioambiental pone de manifiesto el valor politico y epistemologico de Barbados, entendido como unas practicas y relaciones implicadas en la produccion de un complejo entramado global-local que opera en el sistema mundializado de poder. Para ello, abordaremos la perspectiva ecologica en la construccion de la isla caribena que realiza en la segunda etapa de su obra desde los presupuestos planteados por el  programa decolonial del grupo de Modernidad/Colonialidad, apoyandonos en las nociones de diferencia colonial y colonialidad de la naturaleza. Abstract Kamau Brathwaite’s (Barbados, 1930-) depiction of the Caribbean geographical and social environment encompasses conceptions and cultural practices of nature that shape a local model of nature as a way to respond to the imposition by contemporary globalization of a single model of modernity. In his poems, place is reconfigured through the African-derived orality that characterizes Caribbean languages, which is dependent upon a spatial awareness, allowing him to capture the presence of the African cultural traces in the region. This article addresses the relevance the ecological perspective has in constructing difference in his work and the ways in which the environmental perspective highlights the political and epistemological value of Barbados, which is conceived as a set of practices and relations involved in the production of a complex global/local pattern operating in the world system of power. In order to do so, we will explore the ecological perspective in his depiction of the Caribbean island in the second stage of his work within the framework of the decolonial project promoted by the Modernity/Coloniality group of scholars, relying on the notions of colonial difference and coloniality of nature.

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<b>El espíritu de Namsetoura y colonialidad de la naturaleza en Kamau Brathwaite</b> // The Spirit of Namsetoura and Coloniality of Nature in Kamau Brathwaite

El espíritu de Namsetoura y colonialidad de la naturaleza en Kamau Brathwaite // The Spirit of Namsetoura and Coloniality of Nature in Kamau Brathwaite