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espanolEn las narrativas culturales del Mar Blanco—el nombre que el Mediterraneo recibe en turco—los habitantes de las costas mediterraneas y egeas de Turquia se han venido definiendo por sus interconexiones con los mares Mediterraneo y Egeo. Por ejemplo, en el ano 3000 a.C., los sumerios se referian a los anatolios occidentales como “los pueblos que vivian en el jardin soleado junto al mar,” y, mas tarde, los egipcios llamaron a los egeos “los pueblos que vivian en el arte del mar”. Las tradiciones antiguas y la biodiversidad de las costas mediterraneas de Turquia han dado origen a un imaginario cultural polisemico que se refleja en las obras de poetas y novelistas turcos. Este trabajo se centra en el Pescador de Halicarnaso, el seudonimo de Cevat Şakir Kabaagacli (1886-1972), que presento los paisajes mediterraneos y los entornos marinos como lugares de un poderoso encanto ecologico. Analizo su poetica de la vida marina, y de la flora y fauna especificas a la peninsula de Bodrum, como reflexiones literarias de la no localidad cuantica, el principio de inseparabilidad de todos los procesos materiales. Los limites permeables de su narrativa, entre la vida en el mar y en la tierra, traen a la mente de manera inevitable este principio cuantico. Como ejemplo de ecocritica mediterranea, su enfasis en la cooperacion entre la vida humana y la no-humana ha contribuido enormemente a captar la atencion publica sobre la diversidad biologica y la riqueza cultural de la region, asi como a despertar la conciencia ecologica sobre las especies endemicas de la peninsula de Bodrum.  EnglishIn the cultural narratives of Akdeniz (White Sea), the Turkish name for the Mediterranean sea, the people living on Turkey's Aegean and Mediterranean shores have been defined in terms of their interconnections with their seas. For example, the Sumerians in 3000 BC called the western Anatolians the "people living in the sunny garden by the sea", and later the Egyptians referred to the Aegeans as "the people living in the art of the sea". The ancient traditions, and the biodiversity of Turkey's Mediterranean shores have produced a polysemic cultural imaginary reflected in the writings of Turkish novelists and poets. This essay focuses on the Fisherman of Halicarnassus, the pen name of Cevat Sakir Kabaagacli (1886-1972), who depicted the Mediterranean landscapes and the marine environments as powerful sites of ecological enchantment. I discuss his poetics of marine life, and the flora and fauna specific to Bodrum peninsula, as literary reflections of quantum nonlocality, the principle of inseparability of all material processes. The permeable boundaries in his narratives between life in the sea and on the land inevitably recall this quantum principle. He also launches the sea fauna as translocal entities without any sense of demarcations. Epitomizing Mediterranean ecocriticism, his emphasis on the ethical partnership between human and nonhuman life has immensely contributed to bringing the biological diversity and cultural richness of the region to public attention and in raising ecological awareness about the endemic species of the Bodrum peninsula.

ecozon@

&lt;b&gt;Enchanted by Akdeniz: The Fisherman of Halicarnassus’s Narratives of the Mediterranean &lt;/b&gt;// Encantado por el Mar Blanco, Akdeniz: Las narrativas del Mediterráneo del Pescador de Halicarnaso