English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

espanolA. M. Pires Cabral (n. 1941) es un poeta portugues, novelista, ensayista y traductor. Su primer libro de poesia, Algun lugar en el noreste (1974), condensa la originalidad de su logro poetico: la union entre la forma clasica y la experiencia rural. De hecho, su poesia se basa en un lugar especifico y en un ejemplo de atencion a la gente comun y a los objetos como resultado de una vision que pone de relieve la participacion del destino humano con el paisaje que habita. Este trabajo se concentra en como la poesia de A. M. Pires Cabral ha sido un ejemplo de atencion y de conversacion humana con el mundo no humano. Su singularidad se debe a la relacion con una region portuguesa remota y rural. Pero si el aislamiento define el lugar, la poesia de Pires Cabral construye un sentido de inclusion y de comunion entre el lugar fisico, las personas y los animales, es decir, un sentido de pertenencia. El articulo analiza Arado (2009), obra de A. M. Pires Cabral, un libro en el que su compromiso poetico con el mundo natural promueve nuevos conocimientos sobre el papel potencial de la poesia, lo que genera una mayor conciencia ambiental, pidiendo nuevas visiones y nuevas responsabilidades. EnglishA.M. Pires Cabral (b. 1941) is a Portuguese poet, novelist, essayist, and translator. His first book of poetry Somewhere in the Northeast (1974), condenses the originality of his poetic achievement: the meeting between classic form and rural experience. Stemming from the fact that his poetry is based on a specific place and on an instance of attention to ordinary people and objects is a vision which underlines the involvement of the human destiny with the landscape we inhabit. This paper concentrates on the way A. M. Pires Cabral's poetry has been an example of attentiveness to and of human conversation with the non-human world. Its uniqueness stems from the relationship to a remote and rural Portuguese region. If isolation defines the place, Pires Cabral's poetry builds a sense of inclusion and communion between physical place, people, and animals, that is, a sense of belonging. The article analyses A. M. Pires Cabral's Plow (2009), a book in which his poetic engagement with the natural world promotes new insights into the potential role of poetry, generating a greater environmental awareness and calling for new visions and new responsibility.

“I know of places where there are stones that talk to me”: A. M. Pires Cabral’s Arado through the lens of Ecocriticism