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ABSRACT This article aims to establish a relationship between gender studies, cinema and representations regarding the female starring aging processes in contemporary Brazilian cinema. The corpus of the analysis posted to this article falls into three feature films that have the same characteristics in common: a) were produced in the same decade; b) are representatives of the new Brazilian cinema; c) have international awards and commercial success and d) have the old age and the female aging process as the main theme of the narrative argument. For this question, the following films were selected: Stop Missing (2008) Lais Bodanszky, Durval Records (2002) Ana Muylaert e Across the Road (across the Street; 2004) Mark Bernstein. Growth of the female role is observed in the films dedicated to the theme of female aging, referring to new imaginary and ways of experiencing the affections and the conformation of the image and feminine identity of mature woman. RESUMO Este artigo tem como objetivo estabelecer uma relacao entre os estudos de genero, cinema e imaginario no cinema ficcional contemporâneo brasileiro. O corpus da analise filmica destacado para este artigo recai em tres filmes de longa metragem que tem em comum as seguintes caracteristicas: a) foram produzidos na mesma decada; b) sao representantes da nova cinematografia brasileira; c) possuem premiacoes internacionais e sucesso comercial e d) tem a velhice e os processos de envelhecimento feminino como principal mote do argumento narrativo. Para esta questao, os seguintes filmes foram selecionados: Chega de Saudades (2008) Lais Bodanszky, Durval Discos (2002) Ana Muylaert e Outro Lado da Rua (2004) de Mark Bernstein. Observa-se um crescimento do protagonismo feminino nos filmes dedicados a tematica do envelhecimento feminino, que remetem a novos imaginarios e formas de vivencia dos afetos e da conformacao da imagem e identidade feminina da mulher madura.

Trânsitos imagéticos: a reconfiguração da velhice feminina no cinema brasileiro contemporâneo