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John Banville’s long career can of course conventionally be viewed as a linearity, but it would be better seen as a form of spiral. This spiral is the hermeneutic process and concomitantly the movements of eternal recurrence in the oeuvre. In accordance with Nietzsche’s concept, these recurrences are not to be construed as returns of the identical. Rather, this ethic and aesthetic dimension in Banville is explicated as an attunement to the overall force of becoming. In agreement with Wallace Stevens’ poetics, Banville’s aesthetic is seen primarily as process. Through the immediate access to metacognition and reflection in the intentional act, Banville, through his protagonists, maintains a sense of wonder as hope in a fictional world often permeated by loss, melancholy and despair. This fictional trait is argued to have been there since the debut up to Banville’s more recent creative work.Resumo: A longa carreira de John Banville pode, evidentemente, ser vista convencionalmente de modo linear, contudo seria melhor se fosse vista como uma forma de espiral. Essa espiral representa o processo hermeneutico e, concomitantemente, os movimentos de recorrencia eterna na obra. De acordo com o conceito de Nietzsche, essas recorrencias nao devem ser interpretadas como retornos do identico. Em vez disso, essa dimensao etica e estetica em Banville e explicada como uma sintonizacao com a forca geral do devir. De acordo com a poetica de Wallace Stevens, a estetica de Banville e vista principalmente como processo. Por meio do acesso imediato a metacognicao e reflexao no ato intencional, Banville, atraves de seus protagonistas, mantem um sentimento de admiracao como esperanca em um mundo ficticio, muitas vezes permeado por perda, melancolia e desespero. Argumenta-se que esse traco ficcional esta presente desde a sua estreia ate a escrita mais recente de Banville.

abei journal

“Cloud’s red, earth feeling, sky that thinks”: John Banville’s Aesth/ethics / “Nuvem vermelha, terra sentindo, céu que pensa”: Est/ética de John Banville