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O artigo traca uma trajetoria do grupo Cemflores, a partir do contato critico-afetivo com o arquivo do poeta Marcelo Dolabela, quem guardou por mais de quarenta anos os restos dessa memoria. Formado por “trabalhadores em arte”, como se denominaram, Cemflores surge no seio do Movimento Estudantil – quase todos seus integrantes eram estudantes da UFMG – e atuou no cenario da contracultura em Belo Horizonte, nos anos oitenta, periodo marcado pelo processo de redemocratizacao. Buscaram repensar a praxis das esquerdas, atraves da realizacao de acoes poeticas. Publicam revistas e dezenas de livrinhos em mimeografo, distribuem poesia em greves e atos pela anistia, realizam recitais, exposicoes de arte postal e experiencias sonoras que culminam na criacao das bandas de estilo pos-punk Sexo Explicito, Divergencia Socialista e O Ultimo Numero. Palavras-chave: Cemflores; Marcelo Dolabela; Arte e politica; Poesia marginal; Arte postal. Abstract The article traces the Cemflores group’s path, based on the critical-affective contact with the poet Marcelo Dolabela’s archive, who kept the remains of that memory for more than forty years. Formed by, as they called themselves, “workers in art”, Cemflores appears within the Student Movement and they acted in the counterculture scenario in Belo Horizonte, in the 1980s, a period marked by the process of Brazil’s redemocratization. They sought to rethink the praxis of the left-wing tendencies, through the performance of poetic actions. They published magazines and dozens of booklets made in mimeograph, distributed poetry in strikes and acts for Amnesty, held recitals, mail art exhibitions and sound experiences that culminated in the creation of the post-punk style bands Sexo Explicito, Divergencia Socialista and O Ultimo Numero. Keywords: Cemflores; Marcelo Dolabela; Art and politics; Marginal poetry; Mail art.

CEMFLORES: POÉTICAS POLÍTICAS EM BELO HORIZONTE NOS ANOS OITENTA / Cemflores: political poetics in Belo Horizonte in the eighties