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espanolAnte el escaso acceso a los sonidos milenarios construidos en los Andes septentrionales, con la intencion de crear un repositorio que se pueda compartir y legar, Sonidos Re Sonantes UCE es el resultado del estudio sobre las piezas sonoras, ingenieria, capacidades e inventiva existente en el patrimonio arqueologico del museo Antropologico Antonio Santiana de la Universidad Central del Ecuador. En este estudio son los instrumentos quienes muestran la informacion buscada mediante su diseno, configuracion, ergonomia y marcas de uso. Paralelamente se observa la interpretacion de estos instrumentos por varios musicos pertenecientes a diversos pueblos y nacionalidades del Ecuador con concepciones y cosmovisiones propias, en un intento por representar la plurinacionalidad existente en las poblaciones herederas de esta sabiduria, obteniendo resultados innovadores, tanto en la ejecucion como en el entendimiento de las tecnicas de construccion en los artefactos sonoros. Ante un universo muy amplio de instrumentos sonoros, se ha construido una clasificacion segun la funcion para la que se considera cada objeto fue construido, a traves de la descripcion de piezas representativas de cada ramificacion. Se incluyen algunas tecnicas de interpretacion con la intencion de sentar las bases para futuras apreciaciones y experiencias en el estudio del firmamento sonoro prehispanico. EnglishDue to the limited access to millenary sounds built in the northern Andes, with the intention of creating a repository that can be shared and bequeathed, Sounds UCE become the result of the study on sound pieces, engineering, capabilities and inventiveness existing in the Archaeological heritage of the Antonio Santiana s Anthropological Museum at the Central University of Ecuador. In this study, it is the instruments that show the information sought through its design, configuration, ergonomics and use marks. At the same time, the interpretation of these instruments is observed by several musicians belonging to various peoples and nationalities of Ecuador with their own conceptions and worldviews, in an attempt to represent multicultural issues existing in the populations inheriting this wisdom, obtaining innovative results, both in the execution and in the understanding of construction techniques in sound artifacts. Before a very wide universe of sound instruments, a classification has been developed according to the function for which each object is considered to be constructed, through the description of representative pieces of each branch. Some interpretation techniques are included with the intention of laying the foundations for future appreciations and experiences in the study of the pre-Hispanic sound sky.

SONIDOS RE SONANTES UCE. ESTUDIO EN INSTRUMENTOS SONOROS PRECOLOMBINOS PERTENECIENTES A LOS ANDES SEPTENTRIONALES