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The article is devoted to peasant protests organized in the period of the post-socialist transition in Poland. The mainstream public sphere is reluctant to bring up the memory of these protests, suppressed as it is by the story of the transition as a period of reveling in capitalism and building a civil society. The author views the radical protest movement as the first mass and serious opposition against the new neoliberal politics of the state. Using Charles Tilly's category of "repertoires of contention," she analyzes the tools used by farmers: road blockades, occupations of government buildings, performances of food wasting and examples of peasant visual activism. The article is accompanied by Michał Januszaniec's visual essay, which uses a diverse range of visual materials from the period.

“Populus Means the People, Ladies and Gentlemen.” A Visual Archive of Peasant Protests during the Post-Socialist Transition