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The article considers semantic and stylistic motivations for using obsolete lexicon (historicisms) in the text of a work of art. The specifics of the functioning of this process are presented against the background of the features of the contemporary Russian literary language. Attention is focused on the fact that the layer of obsolete lexical units belongs to a number of nationally specific vocabulary, the development of which forms an understanding of the nature of the actualized language. In addition, it should be noted that the semantics of historicisms is culturally commensurate: the latter is explained by the fact that the deactuation of linguistic units is positioned as parallel to the sociocultural and political changes.

mağallaẗ kulliyyaẗ al-luġāt

Семантико-стилистическая характеристика Историзмов (маркированной лексики) В современном русском литературном языке The semantic and stylistic characteristics Of historicism (marked vocabulary) In the modern russian literary language