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This work has as horizon the reading and consideration of the terms “translation” and “forgiveness”, considering what contemporaneity has called “deconstruction”. This thought of deconstruction had in Jacques Derrida’s figure its most consistent expression. Taking as a starting point the biblical scene of Babel and the piece “The Merchant of Venice”, by Shakespeare, we will see how both terms are crossed by the character of impossibility when it puts – at the same time – a chance of possibility in place. Emphasizing the aporetic character of translation, one see – simultaneously – the impossibility and possibility of multiple perspectives of forgiveness itself.

SHAKESPEARE E DERRIDA: CONSIDERAÇÕES SOBRE TRADUÇÃO E PERDÃO EM “O MERCADOR DE VENEZA”