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This study is based on qualitative research methods approach the text with the level of semiotics, the purpose of this study to uncover the ideology of the film by Garin Nugroho who use etetika high art and the construction of cultural anthropology exotic Indonesia. Hasi research shows that the ideology of resistance which manifests itself in the film 'Daun di Atas Bantal' reconstruction is falsafati Democratization of media art as a force to press the government of Suharto and the New Order regime. The patterns of the significance of the sign denotatif and connotative that make up the myth of the truth of reality into the base film by Garin Nugroho built with the interpretation of the ideology of Java through the power of art and culture of the great that ultimately gave rise to the concept of the essence of the interpretation of nationalism through the figures 'mother' who berafilisasi on the representation of the mother motherland in nation termaginalkan reality sued by the state. Keywords: Film Ideology, Garin Nugroho, Daun di Atas Bantal. Abstrak Kajian ini berdasarkan riset kualitatif dengan pendekatan level teks dengan metode semiotika, tujuan kajian ini untuk mengungkap ideologi film karya Garin Nugroho yang menggunakan etetika seni tinggi dan konstruksi antropologi budaya Indonesia yang eksotik. Hasi penelitian menunjukan bahwa resistensi ideologi yang termanifestasikan dalam film ‘Daun di Atas Bantal’ ialah rekonstruksi falsafati Demokratisasi media seni sebagai kekuatan untuk menekan pemerintahan Soeharto dan rezim Orde Baru. Pola-pola signifikansi tanda denotatif dan konotatif yang membentuk mitos kebenaran realitas menjadi dasar film karya Garin Nugroho dibangun dengan tafsir ideologi Jawa melalui kekuatan seni dan budaya yang agung yang pada akhirnya memunculkan konsep esensi tafsir paham nasionalisme melalui tokoh ‘ibu’ yang berafilisasi pada representasi ibu pertiwi dalam menggugat realitas bangsa yang termaginalkan oleh negara. Kata kunci: Ideologi Film, Garin Nugroho, Daun di Atas Bantal

IDEOLOGI FILM GARIN NUGROHO KAJIAN SEMIOTIKAPADA FILM DAUN DI ATAS BANTAL