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The urgent task of an art criticism in a difficult conditions of contemporary artistic and historical development is the theoretical comprehension of the musical culture phenomena, which gained the meaning of a humanitarian significance and represented the stable traditions of a human spirituality. In this context, the study of the composer’s phenomenon which has become a symbol of an artistic and aesthetic search for creative individuality in the European tradition, seems to be fundamentally important vector of a modern musical science. The concept of an individual music authorship in the discourse of contemporary art also needs to be systematically justified. This concept is seen as a valuable sphere of an artistic reflection in the written musical culture, a unique phenomenon of a social existence, which arose in the European civilization continuum in connection with the creative activity of a musiciancreator, the realization of his intellectual-spiritual and artistic qualities. The creative figure of a composer, the universalism manifestation by the musical concepts creator, arouses persistent and long lasting interest in a musical-theoretical thought. In the field of a modern musicology, research attention is being extended to an individual and personal determinants of creativity, the nature of cultural being and the author’s will as the music creator. It should be noted that “focused on the problems of the author-creator, the modern autorological paradigm reveals an interdisciplinary research vector and demonstrates an intention for openness in a space of humanitarian thought, including the comprehension of the musical authorship sphere” 1 . The development of a certain aspects of this problem are reflected in the musicology works of N. Gerasimova-Persidska, L. Ivanova, L. Kazantseva, V. Kholopova and others. At the same time, despite the existing experience of studying the composer’s tradition and musical authorship creativity in European culture, a significant number of important aspects still remain unstrucked in the art and cultural thought. Comprehension of the cultural essence and specificity of the

THE HISTORICAL CRYSTALLIZATION OF A COMPOSER’S AND INDIVIDUAL MUSICAL AUTHORSHIP PHENOMENA IN THE EUROPEAN CULTURE OF THE RENAISSANCE