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In Ukrainian folk culture, many phenomena attract the attention of not only experts but also a certain circle of fans of folk art. Among them, the phenomenon of kobzardom is of particular significance. Its evolution, as well as other cultural phenomena, went through periods of formation, prosperity, decline, branching into two trends (reproductive and productive), revival in the days of Ukraine’s independence. The discussions that are being held today between supporters of authentic kobzardom and representatives of the academic bandura performance concern the degree of approximation of each artistic direction to the true origins of this unique musical and social phenomenon of Ukrainian culture. But, at the heart of the contradictions, the main issue is the prospect of further development of this genre. Thus, despite the different views on kobzardom in different schools of performance, the only consensus on this issue is the unique phenomenon of the objects of a kind of dispute – „kobzas, lyres, banduras”, which encode the creative mental code of Ukrainians, ancient traditions and the history of the Kobzar movement itself. According to M. Budnik, one of the founders of the Kyiv Kobzar workshop: "... Only a song can bring us back in time, and a musical instrument can guide our journey and become a guide horse" 1 . The study aims to analyze the development of kobza art in the historical and musicological aspects, to determine the impact of the Kobzar heritage of the Ukrainian people on the current state and the prospects of its further development, which is a novelty of the essence of

KOBZARDOM AS A PHENOMENON OF UKRAINIAN CULTURE IN THE CONTEXT OF THE NEW REALITIES OF DEMOCRATIZED SOCIETY