English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The Laboratory of Conservation Science (LACICOR) – School of Fine Arte-UFMG – developed a project called “Concrete Art in Brazil: Industrialism and Vanguard of Latin America” in partnership with the Getty Foundation. This project sought to analyze works carried out in the 1950s from the collections of MAM-RJ, Pinacoteca-SP, MAP-BH, and Tuiuiu-RJ, in correspondence with the works of the Felps Cisneros Collection studied by the Getty Conservation Institute. Through the interface between the Technical Art History and the Art History, we produced a subsidized Conservation Science study of the works selected, promoting new conceptual relationships. This article explores experimentation as a process based on the issues raised by this research, considering the interface among the concept, the form and the materiality.

Obras de arte podem ser feitas de algo que não seja “de arte”?