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RESUMO: Helio Oiticica a partir da nocao “museu e o mundo” ressalta a importância de se pensar as manifestacoes artisticas como pertencentes ao cotidiano e nao somente a espacos especificos. Em confluencia com esta perspectiva o projeto "Pimp my carroca", uma iniciativa do artista Mundano, busca valorizar o trabalho dos catadores de reciclavel, ao grafitar suas carrocas e atraves disso, transpor sua arte para a movimentacao das ruas. Neste trabalho buscamos compreender como o projeto "Pimp my carroca" pode convergir com a otica da concepcao "museu e o mundo". Para tal, apresentamos o conceito de Oiticica, contextualizamos os objetivos do projeto do artista Mundano e por fim analisamos se as duas perspectivas compartilham seus intentos. Identificamos semelhancas nas duas iniciativas, Oiticica a partir de suas teorizacoes proporcionou, indiretamente, aporte ao projeto do grafiteiro Mundano.  PALAVRAS-CHAVE: Helio Oiticica, Mundano, museu e o mundo, Pimp my carroca.  ABSTRACT : Helio Oiticica, from the notion “museum is the world” highlights the importance of thinking artistic manifestations as belonging to the everyday life and not only specific places. In confluence with this perspective the project “Pimp my carroca”, an initiative by artist Mundano, seeks to value the work of recyclable waste pickers, by graffiting their carts and throught it, transpose his art to the streets movement. In this paper we seek to undestand how the project “Pimp my carroca” can converge in the view of the concept “museum is the world”. For such, we present Oiticica’s concept, contextualize the objectives of the artist Mundano’s project and finally analize if both perspectives share their intentions. We identified similarities in both iniciatives, Oiticica from his theorization provided, indirectly, contribution to gaffiti artist Mundano.  KEYWORDS: Helio Oiticica, Mundano, Museum is the world, pimp my carroca.

O conceito "museu é o mundo" de Hélio Oiticica no projeto "Pimp my carroça" do grafiteiro Mundano