English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

espanolEn el cambio del segundo al tercer milenio, percibimos en el campo de la moda elementos peculiares de la cultura construidos con lo digital, que permiten hacer aproximaciones con respecto al funcionamiento de ambos. Las hibridaciones intensificadas por los formatos digitales promueven la disolucion de los limites y nos colocan ante el extrano, tal como lo concibieron Bauman y Zizek. Se propone aqui una revision puntual a traves de la moda sensible a este extrano, lo que sugiere una posible lectura de contribucion y cuestionamiento a la moda actual. Se dibuja un hilo en el que lado a lado las obras de creadores como el brasileno Alexandre Herchcovich, los japoneses Yohji Yamamoto y Rei Kawakubo, los belgas Walter van Beirendonck y Martin Margiela, y centros de investigacion como MIT (EUA), Textile Future Research Group (University of Arts, Reino Unido) y SymbioticA (Australia), entre otros. EnglishAt the turn of the second to the third millennium, some particular elements originary from the culture crossed by the digital are identified in the field of fashion. These elements enable new approches concerning the functioning of both fashion and digital culture. The hybridizations that are intensified by digital formats promote the dissolution of boundaries and put us face-to-face with the “uncanny” as Bauman and Zizek conceive it. This paper proposes a review of some experiences on the fashion field that are sensitive to the uncanny, suggesting a possible reading and questioning of current fashion. A thread is drawn in which the works of creators such as Brazilian Alexandre Herchcovitch, the Japanese Yohji Yamamoto and Rei Kawakubo, the Belgians Walter van Beirendonck and Martin Margiela are profiled side by side, as much as research centers such as MIT (USA), Textile Future Research Group (University of Arts, UK) and SymbioticA (Australia), among others. portuguesNa virada do segundo para o terceiro milenio, percebem-se no campo da moda elementos peculiares da cultura atravessada pelo digital, que possibilitam tracar aproximacoes no que concerne o funcionamento daquela como desta. As hibridacoes intensificadas pelos formatos digitais promovem a dissolucao de fronteiras e nos colocam diante do “estranho”, tal como o concebem Bauman e Zizek. Propoe-se aqui um revisao pontual de um traves da moda sensivel a esse estranho, sugerindo uma possivel leitura de contribuicao e questionamento para a atualidade da moda. Traca-se um fio em que se perfilam lado a lado os trabalhos de criadores como o brasileiro Alexandre Herchcovitch, os japoneses Yohji Yamamoto e Rei Kawakubo, os belgas Walter van Beirendonck e Martin Margiela, e de centros de pesquisa como o MIT (EUA), Textile Future Research Group (University of Arts, Reino Unido) e o grupo SymbioticA (Australia), entre outros.

Um estranho través na moda na virada do milênio