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espanolEste texto analiza el uso de la voz en off en la pelicula El muerto y ser feliz (Rebollo 2012) para mostrar como es posible crear discursos audiovisuales que se situan al margen del Modo de Representacion Institucional (Burch 1970) y que ofrecen al espectador las claves de interpretacion del discurso dentro de la propia estructura de la obra. EnglishThis paper analyzes the use of voice off in the film The Dead Man and Being Happy (Rebollo 2012) to show how it is possible to create audiovisual discourses that are located in the margins of the Institutional Representation Mode (Burch 1970), offering to the audience the keys of interpretation of the discourse within the very structure of the work.

El sonido en vilo. La voz en off en el cine: el caso de El muerto y ser feliz.