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Roy Eriksen’s essay asks the question whether the notoriously unattributed The Taming of a Shrew might not in fact bear the trace of Marlowe’s hand. Recognising the tendency of critics to dismiss the play as a mere “bad quarto” of a lost play that Shakespeare drew on, Eriksen suggests that A Shrew may be Marlowe’s original work—a claim which the long-recognised presence of Marlovian allusions and Marlowe’s own propensity for self-quotation do not reject.

<i>The Taming of a Shrew</i>: Composition as Induction to Authorship