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The article examines the pre-revolutionary small prose of Ivan Kasatkin. It explores the social and moral dimensions of his stories, the individual features of his depiction of the life of Kostroma peasants in the turbulent years before the RussianRevolution of 1917. Ivan Kasatkin, a peasant born himself, offers an unprejudiced, realistic view of Kostroma fellas at the time, of their complex and contradictory world in all its entirety. In his opinion, the inertness and cruelty of male peasantshas social roots, as this is the period when a fella is forced to live the life of a destitute, deprived of basic human rights and utterly humiliated. In this way, Ivan Kasatkin follows in the footsteps of his predecessors, known as Democrat-Writers, such as Nikolai Uspensky, Vasily Sleptsov, Alexander Levitov, as well as his contemporaries, such as Ivan Bunin. At the same time, he makes his own unique contribution to the artistic study of the plight of peasants. He believes, for  example, in the feasibility of revolutionary rejuvenescence of life, he believes in peasant happiness. Above all, socially acute stipulations of change aremanifest in his childhood narratives. The article focuses on the compositional features of the stories, namely, the use of the road motif, the use of contrast in the portrayal of people and nature, the use of symbolic imagery of forest and the  Unzha River. The author argues that Ivan Kasatkin’s artistic approach, his poetics, enable him to convey the intensely poignant and morose atmosphere of living in rural central Russia on the eve of the Revolution, while pointing out the instinctive yearning of male peasants for the new, invigorating beginnings of life.

THE PEASANT WORLD IN THE PRE-REVOLUTIONARY SHORT STORIES BY IVAN KASATKIN