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Cine Relações de Gênero (2017) and Cinema Negro (2018) are actions developed by Almanaque das Artes, a departmental commission created in 2014, with the purpose of promoting and stimulating artistic and cultural activities at the university and the recognition of existing potentialities in the academic and external communities, establishing integration between them. These two extension projects, directed to the cinema area, were proposals registered and contemplated in the respective Edicts N.o 005/2017 and 032/2018, presented by the Pro-Reitoria de Extensão (PROEX) of the University of the State of Bahia (UNEB), having as objectives to finance the execution of extensionist actions and to stimulate the diffusion and dissemination of these practices in the academic universe, strengthening relations with social segments and community. Corroborating this proposal, the General Rules (CONSU Resolution No. 864/2011, art. 152, item V) itself defines extension under the perspective of "[...] insertion of the University in the historical social context, with the purpose of providing academic actions to promote and guarantee democratic values, equality and human rights," reaffirming its concern for the transformation of society.The Almanac of Arts presented, in the two previous years, film projects, but did not bring as a main focus, until then, the specific discussion on intersectionalities as a guideline for reflection and debate on current emerging issues. In this aspect, we highlight the spaces of education, of formation of teaching professionals, mainly, that bring the need of theories that base their knowledge to do it pedagogically after the formation, in a safer way, with issues that are present in the school context and in the non-school context, with which we need to deal. The university is gaining centrality from extensionist practices. By fostering these practices, it takes responsibility for making itself noticed and allowing itself to perceive the sociopolitical dilemmas and conflicts that involve society. This is particularly true at the frontiers of education, considering the university as a part of this society and as a promoter of the democratization of knowledge biased by the development of extension projects in the institution. The thinking and the happenings of the work carried out relied on other groups that were able, within the perspective of the socio-spatial context, to make the characters alive and guarantee, without translations, the original subtitles or speeches of what is said about the intersectionalities present in both registered works. Thus, the Cine Relações de Gênero (Gender Relations Movie) was held with the participation of graduates of the Cinema and Audiovisual Course of the Universidade Federal do Recôncavo Baiano (UFRB), who, with speech property, contributed significantly in the selection of the film works and in the proposition of the debates that were provoked. As for the Black Cinema, besides establishing a partnership with the aspirants of cinematography, it was also guided by the articulation with the collective Tela Preta (Black Screen), a black cinema movement also born in the Campus of the UFRB of Cachoeira BA.

brazilian journal of development

LUZ, CÂMERA, EXTENSÃO: O CINEMA COMO POSSIBILIDADE DE REFLEXÃO SOBRE DIVERSIDADE / LIGHT, CAMERA, EXTENSION: THE CINEMA AS A POSSIBILITY OF REFLECTION ON DIVERSITY